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Reflections of a Live Aboard

By David Skelhon

I have just spent over a year living aboard Rainbird and 20 years ago lived aboard a boat in the UK where I was born and raised. The boats are radically different and these two experiences have little in common, except perhaps, both were aboard wooden boats and both required the simplicity that living with less entails. The world has changed immensely in that time, and undoubtedly I have too, but it is fun to look back and compare the two experiences and see what can be learned.

My first “big” boat, a James Wharram, Tiki 26 catamaran, is not the sort of vessel that comes to mind as a “live aboard.” The Tiki 26 is an very sea worthy, moderately fast, open-deck trailer-sailor with many ocean crossings to its credit. In fact, Rory McDougall’s Tiki 21, Cooking Fat, (essentially a small 26) circumnavigated in the ‘90s and is the smallest catamaran to ever to do so. The 21, seems tiny in comparison with the 26 and I can’t help but admire McDougall’s push-the-limits minimalist approach. But even with the relatively spacious hulls of the Tiki 26, supplemented in my case with a heavy duty PVC deck-tent, living aboard Suilven II was more akin to camping than what the average West Coast sailor would consider as “civilized” comfort. Thankfully an old 13 foot travel trailer (“caravan” in Brit speak) parked in a nearby boat yard served as an office and galley whilst living aboard. Oh yes, I should add that I was younger and fitter back then!

The Tiki 26 was built in the attic of an old barn, in the middle of rural Oxfordshire, which is just about as far from the ocean you can get in the UK. It was the mid ‘80s and with the help of my partner at that time, we decided that the epoxy/glass/plywood Tiki – a relatively new and innovative design, with its distinctive soft wing-sail – would give us the “best bang for our buck.” Actually, we had never considered living aboard such a small boat except for short trips or expeditions, but economics soon dictated otherwise!

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A GRP Tiki 26 (right) and Suilven II, our epoxy/glass/ply Tiki 26, sailing in the Tamar Estuary near Plymouth, UK, in the late ’80s.

Once finished, we moved the boat and ourselves to the rural backwater of Foss Quay, Millbrook, in south east Cornwall which put us among multihull designers, builders and sailors. I found work building and repairing plywood multihulls and writing technical articles for sailing magazines such as Practical Boat Owner. With no expensive rent or mortgage to pay we had the time and funds to go sailing – culminating in a 3 month trip around the west coast of Britain, which had been the inspiration for building the Tiki 26 in the first place.

Without doubt, this was probably the most formative and exciting period of my life. I had left a science and engineering career and sold my house to follow a dream. In Cornwall I was rubbing shoulders with the likes of James Wharram, Richard and Lillian Woods, Pat Patterson and Darren Newton – all well known icons of multihull design and accomplished sailors. I also met some extraordinary young sailors (including Rory McDougall) who embarked on some remarkable voyages.

At this time I also had the privilege of editing Sea People/Sailorman the journal of the Polynesian Catamaran Association, and this, I must say, was one of the most enjoyable jobs I have ever undertaken. I received some incredibly exciting and inspiring stories from around the world which would turn up in dog-eared, salt stained envelopes with exotic looking postage stamps. These would almost certainly be hand written, full of jaw dropping tales of coral atolls, typhoons and ocean crossings in amateur built, plywood Wharram catamarans. This 30 page bi-annual magazine was put together using one of the first laptop computers (space was at a real premium!) running desk-top publishing software – we are talking late ‘80s here! Seventy-five back editions are currently available on line.

The Wharram community was truly amazing, and we spent many vacations cruising in company with other catamarans. The 26 drew less than 2 feet fully loaded and was just as happy sitting on a beach or at anchor. The deck space, stability and sense of security were fantastic and the elegant simplicity of the design made it a supremely practical sailing vessel. After all, Wharrams have their roots in boats that colonized the vast expanse of the Pacific.

Undoubtedly, the most memorable aspect of the seven years I spent in Cornwall was the amazing souls I met, the sincere friendships that were formed, and the strong sense of community. We were all operating on shoe-strings but help was always close at hand. If you needed help launching a boat or stepping a mast you would put the word out, stick the kettle on and folks would turn up. This was how we got things done – though big jobs like turning over a hull might just cost you a case of beer!

This ethos was always present when cruising. During my 3 month western Britain voyage, people were always willing to help in whatever way they could. Harbour masters always seemed interested in my exploits and often waived fees. Local sailors came for rides and were wonderfully generous, feeding me in their homes and taking me on local sight-seeing trips.

At the time, I lived and breathed sailing and could not imagine myself doing anything else; multihulls were my world and I could not imagine myself in a monohull.

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I moved to British Columbia in 1996. After a frustrating few years up-to-my-arm-pits in glass-fibre dust, building “mega” yachts, I changed course completely and became a commercial pilot, flying instructor, aerial photographer, aircraft builder and test pilot and bush pilot. This was exciting and challenging but financially insecure and by the time the recession started to bite, making a living was becoming as precarious as it was dangerous. A change was needed.

I had never lost the urge to go back to sea and at one point in the late ‘90s I did put down a deposit on a part-finished, 37’ steel monohull. The hull and deck were built and the engine installed. At $4,000 it was a steal but this boat was built to break ice and just about as heavy as they come. When I looked at the spars and equipment needed to complete it I realized I would need my own boatyard and crane to do it. I’m no Arnold Schwarzenegger and I realized that without a strong, capable crew, I wouldn’t be going far in this boat even if my back held out long enough to complete the fit-out.

Fast forward another 10 years. I just happened to be looking at boats on Kijiji when I came across a Bill Garden 33’ pilot house sloop, cold-molded cedar and built 35 years ago as a live aboard. “Take a look at this – looks like a good deal,” I said to my wife rather innocently.

Rainbird on the ways at the Cowichan Wooden Boat Society for her annual haul out.

A few weeks went by and I started noticing sailing magazines laying around in the kitchen and living room and a sudden interest in sailing coming from my wife. This spurred me on and I started looking at designs with building in mind and one day I announced to her that I was going to send for some study plans for a 30’ cutter I had taken a liking to.

She suddenly looked relieved and terrified at the same time and blurted out that I shouldn’t do that as we already had a boat…

“What do you mean – we already have a boat?”

“Do you remember that cute Bill Garden you found on-line a few weeks ago?”

I had to think hard, but it started to come back. You could have knocked me over with a feather!

When the story finally tumbled out, she had sent the details to one of my Foss Quay friends who had finally thrown down the hook in New Zealand and asked for his opinion, which turned out to be very encouraging. She was going to keep the surprise until Christmas! What a woman!

Of course, my wife, being far more sensible and realistic than me, knew that I found it difficult to find the time to fix a leaking kitchen tap let alone find the time to build a 30’ boat. Besides, the cost of materials and equipment to build a similar boat would be more than she paid for Rainbird.

As far as I can determine, Rainbird’s lines were replicated in the Truant 33 and the Saturna 33, two popular and capable West Coast boats. Rainbird is exactly the live aboard Suilven II wasn’t – she has interior space and it is well laid out and very functional and comfortable. With her tall rig she also sails well and with a 30 HP Perkins diesel she has the power to make headway when the going gets tough.

In fact, Rainbird has proven to be a great choice for West Coast – much better than even a large Wharram would have been for these waters. One hull is easier to heat and keep dry than two. Finding live aboard moorage at a reasonable rate would be darn nearly impossible for a large catamaran in these crowded waters – it was tough enough finding moorage for Rainbird.

Living aboard, even in mid winter, is cozy thanks to a Dickinson Pacific stove (also a delight to cook with when you get the hang of it) and shore-side 110V power. I was working for the Cowichan Wooden Boat Society last winter and my commute was a one minute stroll down the dock. Doesn’t get better than that! No oozing, black, Foss Quay mud to wade through at low tide and in Cowichan Bay I could head down the street for coffee and fresh croissants. All very civilized but the flip side was that with the community lights I never got to see the stars and other than the occasional motion from a south easterly gale I hardly knew I was afloat!

With narrow channels, strong tides and fickle winds, reliable power – and preferably lots of it – is important in these waters. Wharrams generally rely on outboards which don’t always work well in a chop and windage and maneuverability can be challenging in blustery conditions. Some of the bigger Wharrams use twin outboards for this reason.

For live aboard comfort and cruising in the Pacific North West, a monohull like Rainbird is probably going to more comfortable than a Wharram. However, for extended, economical, blue water cruising in warmer climates I would definitely go for the Wharram. The deck space is liberating, and I enjoy being able to anchor in shallow water in busy anchorages, or even run up on a beach. Indeed, I suspect that there is a very good, underlying reason that multihulls evolved in the warm Pacific waters!

Of course, this is just my opinion, and as we know, we sailors can be quite opinionated when it comes to our boats! But an open mind and a sense of adventure are probably more important than the choice of boat when it comes to life afloat. Some people do amazing things with very little.

As for the sailing community, well, I haven’t quite found another “Foss Quay” yet. It is a fond memory but I occasionally have to remind myself we weren’t always happy campers – the sailing community has its infighting just like any other! But now as a member of the Cowichan Wooden Boat Society, I now have access to their workshop and ways and help is close at hand. For those of us sailing on a budget, the Society is a valuable resource. I am also a member of the Center For Wooden Boats in Port Townsend, as I believe it is important to keep the knowledge and skills of wooden boat building alive.

Piggy is a large “Classic” Wharram – a 45′ “Ariki”designed for ocean racing. She was photographed at the Ladysmith Maritime Society this summer. She was launched thirty-nine years ago and has made a circumnavigation. Her owner is currently getting her ready for a second.

Here are several spectacular wooden boats that caught our eyes as we sailed between the Gulf Islands and Desolation Sound this summer.

“Native Girl” was designed and built by West Coast legend Allen Farrell. She is 48′ overall, with a beam of 10′ 6″ and a draft of 5′ 6″. She was launched in 1965. For more information on artist and boat builder Allen Farrell and his wife Sharie go to http://allenfarrell.com/

“Native Girl”, built and designed by Allen Farrell, seen here in Silva Bay. Note the yard-arm for the square sail.

I couldn’t resist including this photograph of Allen’s last boat, which I came across in Pedder Bay in 2009. The story of Allen and Sharie Farrell is fascinating and documented in “Salt on the Wind” by Dan Rubin and “Sailing Back In Time” by Maria Coffey. Both “Native Girl” and “China Cloud” are breath-taking designs!

Wonderfully elegant “China Cloud”.

Normally at home in Thetis Island, “Grail Dancer” made a short visit to the Cowichan Bay Maritime Society in August. This beautiful 61′ (L.O.A.) schooner, is based on the lines of a 19th century Noank Well Smack. For more information – http://sunrisegrail.com/?action=GR-gallery

She was built by Maureen and Wayne Loiselle and was launched off a beach in 2000.

Magnificent “Grail Dancer” at the Cowichan Bay Maritime Centre.

“Grail Dancer”

“Taihoa” is 48′ (L.O.A.), design by George Band, launched in Vancouver in 1947. She is seen here during a haul-out on the newly refurbished ways at the Cowichan Bay Maritime Centre.

“Taihoa” – a Colin Archer style, heavy displacement cutter.

Finally, we came across this attractive Aitkin designed cutter in Squitty Cove on Lasqueti Island.

“Josey”, a small Aitkin designed cutter.

Brian (left) sits back and enjoys his first ride in the newly completed Bolger designed dory while Bob (also one of the course students) rows.

Launch Day Finally Arrives

by David Skelhon

Five months has passed since we first started cutting plywood for the Bolger designed Gloucester Light Dory. As you might recall, much of the initial construction was done by five eager novices on the “Beginning Boat Building Course”. The half-built dory was then purchased by Brian and Carol Elliott back in March and finished by Brian.

I am delighted to report we finally launched her at the Cowichan Bay Maritime Centre on a fine but breezy spring morning and I managed to take her for a quick sea trial. She rows just as I hoped! She is easily driven, has enough skeg for directional stability, and during the brief workout seemed well mannered. A little “tender” for sure, but she was lightly loaded at the time. Weighed down for an expedition I’ve no doubt she would feel rock solid.

Knowing the Elliotts,  I’m suret they will use her to her full potential and I’ll keep you posted.

A dory of this type looks very simple to build and and the techniques involved transfer readily to bigger, more complex designs. Here are a few general tips and recommendations that new builders should take to heart.

 Measure Twice, Cut Once!

It’s been said many times before but it’s worth repeating again. Measure twice and cut once! Well, actually, if you are cutting a complex, 3D component then you are likely to be doing a lot more cutting and fitting than that. Skill and experience are important and there are few tricks and devices to speed things up, but when you are learning the basics it will be tedious and you will screw up from time to time. This boat may look simple but if you have never before fitted, for instance, a thwart, with its beveled and curved ends, you may find yourself scratching your head! Be patient, find a piece of scrap or cardboard to build a pattern first before you cut into that expensive piece of mahogany!

 Getting to Grips With Glues

If you are new to epoxy, read the instructions carefully before you start. With West System, for example, remember to use one pump of resin to one pump of hardener. The mix may be 5:1 for 105 Resin with 205 or 206 hardener, but the pumps are calibrated to deliver that ratio with one pump of each. 207 hardener, which is recommended when a bright finish is needed, has a 3:1 mix. Make sure you are using the correct pump for that hardener!

This may seem obvious but we did at one point have a sticky mess on the boat which was never, ever going to cure  because one pump of hardener had been added to five pumps of resin!

West System’s technical department had obviously heard this many times before and advised using a scraper to remove as much resin as we could and then washing the remainder off with acetone before applying fresh resin.

Please, please remember that uncured epoxy is toxic. I personally know half-a-dozen builders who have become sensitised to epoxy – so much so that they cannot walk into a building where there is uncured resin without experiencing a severe reaction. It is important to add that these users failed to protect themselves adequately, often working for months or years without basic skin protection.

Remember that there are alternatives to epoxy. We used Gorilla glue on most tight fitting joints and it worked like a charm. It’s so easy to use; there is no mixing and measuring, – just squirt it out of the bottle and spread it. Clean up couldn’t be easier, because excess glue foams and can be shaved off with a chisel or knife. It’s cheap compared with epoxy especially when bought in a large bottle. We used it in scarfs, butt straps, frames and the laminated stem and stern. We didn’t use it on the gunwale or chine logs because it was easy to work with slow curing epoxy when accurately clamping long pieces of lumber onto curved surfaces. We also used green painter’s tape on many epoxied joints, pulling it before the epoxy cured, avoiding a lot of difficult sanding later.

Finally, when protecting epoxy with varnish or paint, make sure the epoxy has had chance to fully cure and that any amine “blush” is removed from the surface (a little dilute ammonia solution does this quite well) and then lightly sand the surface. Failing to remove the waxy amine reaction by-product can result in paint or varnish drying very slowly or not at all.